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A Moving Image
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A Moving Image

Description
Nina Edwards, an actress who is shocked by the transformation of Brixton, her own home, where some white people dominate the buying the buildings by abusing people, after years of living at Shoreditch. After being involved in the case of gentrification, she decides to paint a piece of art in order to get people of Brixton together.
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A Moving Image
CRITICS OF "A Moving Image"
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HeyUGuys
Resource

April 24, 2017

The fictional parts of the film are underdeveloped with ideas that go nowhere. It's the nonfictional parts, however, that will see audiences pay attention, and understand to the plight gentrification has on working class residents.
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Radio Times
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April 27, 2017

Amoo boldly attempts to explore the social, economic and political aspects of gentrification with this freewheeling docudrama.
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Time Out
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April 25, 2017

Director Shola Amoo does a brilliant job of getting under the skin of gentrification.
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Financial Times
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April 27, 2017

Fittingly, the film is itself a grand collage, drama spliced with documentary, music and dance.
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Observer (UK)
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April 30, 2017

Although the film's approach to issues is a little on the nose at times, in Amoo, we are introduced to a distinctive and bold new voice in British cinema.
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Guardian
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April 27, 2017

The movie shrewdly lays out how a district's bohemian and diverse character is what makes it vulnerable to long-term predatory investment, pushing Brixton in the direction of white Notting Hill.
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Daily Express (UK)
Resource

April 27, 2017

Romantic travails and professional dreams feel trite in a sincere affair that feels fatally undercooked.
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Total Film
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April 25, 2017

The complexity of the topic is well handled, and Brixton itself is full of vibrancy, but the film prompts more questions than it manages to answer.
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The Sun (UK)
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April 27, 2017

Writer and director Shola Amoo is almost certainly headed for great things.
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The List
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April 24, 2017

A small film with big ambitions and an even bigger heart, A Moving Image has a message that goes beyond its limited scope.
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Times (UK)
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April 27, 2017

This impassioned docudrama makes the unfortunate mistake of confusing artistic ambition with intellectual incoherence.
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CineVue
Resource

December 28, 2017

The simple title, loaded with meaning, should not disguise just how much is packed into this profound and articulate debut feature from a very promising London-based filmmaker.
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