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American Mary
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Film Comment Magazine
Resource

June 14, 2013

Sexy and delightfully deadpan, Katharine Isabelle absolutely kills it as loner med student Mary, so passionate about perfecting her surgical skills that she spends her evenings suturing turkey flesh.
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New York Post
Resource

May 31, 2013

It's a truly interesting slasher fest; in this one, the heroine gets to be both beauty and beast.
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Chicago Sun-Times
Resource

June 27, 2013

Alt horror about a Seattle surgery drop-out is a mediocre specimen of the Canadian kinky flesh genre of "Antiviral," "Crash" and "Kissed." End credits say "For Eli Roth."
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Quickflix
Resource

November 25, 2013

A sensational opening makes the disappointing final act hurt all the more as American Mary falls in a heap in its final act.
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Globe and Mail
Resource

May 31, 2013

This is truly a cut above.
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Cinema Crazed
Resource

November 12, 2013

Katharine Isabelle dominates the screen from the minute we meet her, and delivers a masterful performance.
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New York Times
Resource

May 30, 2013

Combines gore, quiet dread, feminist conviction and a visual classicism, often using a red palette, with impressive, unbelabored dexterity.
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Reel Film Reviews
Resource

July 02, 2013

The almost excessively uneven narrative does, in the end, cancel out the effectiveness of the film's positive attributes...
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Los Angeles Times
Resource

May 31, 2013

Writer-director siblings Jen and Sylvia Soska allow their film to turn slack and unfocused after an enticingly lurid, wickedly tense first half.
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Examiner.com
Resource

June 17, 2013

Watching Mary's unpleasant journey is intriguing and each character having identifiable quirks is a strong point, but unfortunately American Mary isn't really anything all that special otherwise.
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TheHorrorShow
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August 24, 2015

One of the strangest, darkest, and most confident "female-centric" horror flicks in quite some time.
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Chicago Reader
Resource

May 31, 2013

Writer-directors Jen and Sylvia Soska don't seem to have their material completely under control, but they've created a worthy entry in the Freaks school of cult cinema.
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