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Best F(r)iends Volume 1
Description
Jon Kortina is a young whose fate puts him in the way of a weird mortician called Harvey Lewis. Jon was searching for a job and Harvey offers him a work in his mortuary. By passing time together, they become friends and start a new business together selling golden things that they collect from the dead's teeth.
Jon Kortina is a young whose fate puts him in the way of a weird mortician called Harvey Lewis. Jon was searching for a job and Harvey offers him a work in his mortuary. By passing time together, they become friends and start a new business together selling golden things that they collect from the dead's teeth.
Actors:
Rick Edwards,
Greg Sestero,
Kristen StephensonPino,
Vince Jolivette,
Tommy Wiseau
Rick Edwards
1 March 1954, Northfield, Massachusetts, USA
Greg Sestero
15 July 1978, Walnut Creek, California, USA
Kristen StephensonPino
February 14, 1991 in El Paso, Texas, USA
Vince Jolivette
11 December 1971, Hamilton, Ohio, USA
Tommy Wiseau
3 October 1955, Poznan, Poland
Director:
Justin MacGregor
Country:
United States
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April 02, 2018
Tone deaf at almost every turn, Best F(r)iends won't have the same legs as The Room but could offer a night of fun with some of your closest f(r)iends. It's terrible.
July 16, 2018
It won't tear you apart with laughter or leave you wondering how it got made, but very few films can manage that.
July 03, 2018
To really enjoy this picture, one must require severe acclimatisation to the 'so bad it's good' style of filmmaking, the only discernible way to get the most out of Justin MacGregor's tame debut.
April 02, 2018
As for the film itself, director Justin MacGregor certainly plays into the absurdity of the script's strange premise and twisted plotting.
April 04, 2018
While it doesn't top the eccentricity of Wiseau's cult favorite, Best F(r)iends is written by a man who understands, probably more than anybody, the appeal behind The Room's creator.
March 29, 2018
The cinematography is half-way decent, the performances that aren't Wiseau's are enjoyable in the traditional sense, and the film moves at a steady clip, with no issues in continuity or plot.
July 14, 2018
Los Angles lore is referenced but never pursued, and director Justin MacGregor leans into the piecemeal ludicrousness with stylised sequences that embrace self-deprecating mockery.
