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Crash
CRITICS OF "Crash"
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CinePassion
Resource

February 23, 2015

The dramatic tidiness of Crash dovetails the soap operatic strands into a facile contemporary j'accuse without ever addressing how race plays into the ideologies that enforce an oppressive order.
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New York Magazine/Vulture

December 09, 2005

It's smart, therefore, that Haggis has written such novel, precisely observed, often unpleasant characters as the ones Bullock, Dillon, and Cheadle inhabit.
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The New Republic
Resource

February 23, 2015

[Crash] is familiar enough that it slips easily into our film-watching faculty without any fuss, yet [Haggis'] handling of it -- his muscular belief in what he is doing -- makes us hope that his next screenplay will be a bit less safe.
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Christian Science Monitor
Resource

February 23, 2015

[Haggis] makes his directing debut with a screenplay that often seems rigged and contrived, but comes to life via excellent acting and a philosophical argument that bigotry and benevolence are inextricably intertwined.
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Associated Press
Resource

February 15, 2013

Haggis moves seamlessly between all these stories and has structured them in such a way that his characters reach a crisis point simultaneously, followed by melancholy clarity.
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Independent (UK)
Resource

February 23, 2015

Instead of heartwarming messages about forgiveness, it honours ambiguity and brings us close, closer than is comfortable, in fact, to what Americans today are really thinking about one another.
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AV Club
Resource

September 26, 2005

Any relation to persons living or dead is purely coincidental.
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Tampa Bay Times

February 23, 2015

Crash is a movie with problems, but those simply make Haggis' vision, his clear reflection of us, so powerful.
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Newsweek
Resource

July 07, 2010

Haggis shows a lot of promise as a director: his film is never dull. But he needs to unlearn some of the bad lessons he picked up working in TV, which demands that everything be neat, symmetrical and underlined.
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Tulsa World
Resource

February 23, 2015

Crash has its moments of wrenching tragedy and chaotic, overcrowded drama, mitigated by flashes of caustic humor and insights of stark truth.
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Observer (UK)
Resource

February 23, 2015

[Crash] is sharply observed and frequently extremely funny as well as artfully orchestrated.
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Wall Street Journal
Resource

January 06, 2014

Ultimately, Crash succeeds in spite of itself. Its color war starts to feel obvious and schematic. Its coincidences and cliches become like a pileup on the 405 freeway, but there it is -- you find yourself rubbernecking and can't manage to look away.
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