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Dead Man
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Dead Man
CRITICS OF "Dead Man"
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Spirituality and Practice
Resource

August 27, 2002

Visionary Western with interesting bits on the myth of the frontier, violence and artistic outlaws.
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ColeSmithey.com

October 27, 2006

Jarmusch's lyrical update on the western genre is a real joy.
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USA Today

January 01, 2000

Coy to a fault, the movie collapses under its own weight with 90 minutes to go, despite Robby MÃuller's impressive black-and-white photography, which puts the film on a higher artistic plane than other equally unbearable movies.
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EmanuelLevy.Com
Resource

June 19, 2006

Minimalism defines this revisionist and challenging noir- Western, a welcome artistic departure from Jarmusch's increasingly tired and tiresome Downtown New York sensibility.
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Eye for Film
Resource

January 05, 2009

a low-key classic of strangely poetic beauty - a western for sleepwalkers and dreamers.
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Flipside Movie Emporium

August 29, 2005

Bad, but not uninteresting
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Apollo Guide
Resource

September 26, 2006

Quite exquisite. Beautiful, really.
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eFilmCritic.com

April 03, 2005

Depp and Jarmusch combine for something fairly bizarre, yet quietly rewarding.
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eFilmCritic.com
Resource

December 30, 2006

I was held by Depp's transformation from white-man non-entity to the Jarmusch version of the affectless Man With No Name.
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Slant Magazine
Resource

May 25, 2004

Jim Jarmusch's most stunning achievement.
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Not Coming to a Theater Near You
Resource

August 07, 2006

Characteristically meandering and sardonic, with Robby Muller's floating, shimmering camerawork, a catalog of witty cameos, and one of the most beautiful modern film-scores
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Commercial Appeal (Memphis, TN)
Resource

January 09, 2012

It seems to be Blake's name as much as anything that propels the character deep into a strange frontier where Blakean ideals of innocence and integrity have been obliterated by ignorance and cruelty.
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