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Devils Rejects
The police is on a trail of an escaped psychopathic firefly family resulting in series of damages and torments.
















2 October 1967, USA

25 May 1973, Rio de Janeiro, Brazil

14 April 1956, Dallas, Texas, USA

23 June 1959, Abilene, Texas, USA

8 December 1943, Palm Beach, Florida, USA

29 August 1952, Schenectady, New York, USA

6 July 1966, Sacramento, California, USA

4 September 1948, Los Angeles, California, USA


20 March 1950, Chicago, Illinois, USA



March 01, 2007
Gut-bucket filmmaking at its most lurid-and most fascinating.
July 22, 2005
The movie turns quickly into a somewhat clumsily handled chase structure, with no clear point or end.
February 09, 2006
The look and feel of this film is a total nightmare, and some of the most effective American mood-making in years.
October 22, 2008
The Devil's Mercy: Housing crisis horror with typical clueless ones who never think to dial the cops, cancel their lease, or even summon a doctor for the weirdly ailing hubby, but with enough shockers to make you not think about moving any time soon.
July 28, 2005
Indefensible on a moral level, Rob Zombie's perversely watchable follow-up to his much-reviled cult hit House of 1000 Corpses is loaded with filmmaking energy.
September 03, 2007
It makes for one sicko spectacle.
July 22, 2005
If one is hip to the references (and, proudly or not, I am), it's amazing to see how precisely the metal-punk- turned-moviemaker Zombie channels the gleefully nihilistic tone and even the low-budget bleached-out quality of his disreputable inspirations.
July 30, 2007
A labor of love sheathed in the shabby clothes of hate.
July 25, 2005
It has to be the sickest, the most twisted, the most deranged movie so far this year. And I'm giving it thumbs up because it's very good at what it wants to be.
July 03, 2007
Rob Zombie semble désormais posséder tous les attributs nécessaires pour en devenir l'un des artisans les plus importants de sa génération
April 29, 2009
I f****** loved this.
September 26, 2005
It's an audacious piece of filmmaking, but after a while it grows exhausting to watch, particularly when it becomes clear that violence is going to lead to more violence without much story or conscience surfacing.