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Fish Tank
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HEROES OF "Fish Tank"
Fish Tank
CRITICS OF "Fish Tank"
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Playback:stl
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January 03, 2011

Plenty of films have presented us with the Angry Young Man but not so many with the Angry Young Woman ...Andrea Arnold does her bit to help correct this imbalance with Fish Tank...
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Associated Press
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March 05, 2010

Writer-director Andrea Arnold has created something so real and raw, you may come away with a twinge of guilty voyeurism, a sense of peering too closely and impolitely into other people's lives.
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New Yorker
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July 07, 2010

Fish Tank may begin as a patch of lower-class chaos, but it turns into a commanding, emotionally satisfying movie, comparable to such youth-in-trouble classics as The 400 Blows.
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Cinemania
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August 18, 2011

Fish Tank is a very strong effort at every level, and should signal great things to come for all involved. Bloody good movie.
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Minneapolis Star Tribune
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March 18, 2010

The characters are guarded, and as we come to understand them scene by scene, they become ever harder to sort into convenient categories of hero and villain.
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Reel Times: Reflections on Cinema
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March 09, 2011

The film becomes a caricature of arthouse miserabilism, which asserts that the only truths are the ugly ones.
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St. Louis Post-Dispatch

March 04, 2010

Katie Jarvis has a natural presence that matches the unsentimental minimalism of the film.
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What Culture
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March 01, 2011

The film is remarkable for its depth. It's not drilling in a message about the hopelessness of poverty, nor is it stylising the lifestyle of those living on council estates.
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Detroit News
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March 05, 2010

Writer-director Andrea Arnold, working in British lower-class realism, still finds wondrous moments of connection in Mia's life.
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Window to the Movies
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February 28, 2011

Reveals the incidental arrival of the first trickles of emerging maturity.
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Film Comment Magazine
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September 24, 2014

[Andrea] Arnold has a knack for subtle details but also for portraying female characters whose natural warmth and energy have been muted by trauma or social isolation.
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NPR
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July 04, 2010

A bold new entry in the long-standing British tradition of disquieting social realism.
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