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Greed (Les rapaces)
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Greed (Les rapaces)

Description
Some of the cuts are tragic -- the introduction of McTeague's character makes him seem particularly loutish, and later it is difficult to tell whether Trina is merely a prim Victorian maiden, or if she is truly repulsed by the advances of her husband-to-be. The loss of various subplots will also be cause for eternal speculation by film historians. However, enough of Greed remains to prove that von Stroheim was an early example of an auteur par excellence.
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HEROES OF "Greed (Les rapaces)"
Greed (Les rapaces)
CRITICS OF "Greed (Les rapaces)"
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Radio Times
Resource

May 28, 2003

[Stroheim's] obsession with realistic detail reached its zenith during the final sequences in Death Valley, where the actors suffered hugely for the director's art.
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Chicago Sun-Times
Resource

January 06, 2002

Erich von Stroheim's Greed (1925), like the Venus de Milo, is acclaimed as a classic despite missing several parts deemed essential by its creator.
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Variety
Resource

February 23, 2012

The picture brings to light three great character performances by Gibson Gowland as McTeague, Jean Hersholt as the chum, and ZaSu Pitts as the wife.
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Electric Sheep
Resource

September 03, 2015

A fascinating, exhilarating, immensely satisfying experience.
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New York Times

March 25, 2006

Mr. von Stroheim has not missed a vulgar point, but on the other hand his direction of the effort is cunningly dramatic.
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ColeSmithey.com

December 12, 2006

Even in its severely edited form Von Stroheim's masterpiece is just that; a masterpiece.
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Village Voice

January 01, 2000

Von Stroheim's rep, after a long dormancy, has been on the rise, and this is the best evidence of his work you'll get until someone finds those lost five hours in some Ukrainian subcellar.
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Boulder Weekly

September 03, 2004

Von Stroheim's butchered masterpiece
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Time Out
Resource

February 09, 2006

Even now its relentlessly cynical portrait of physical and moral squalor retains the ability to shock, while the Von's obsessive attention to realist detail is never prosaic.
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Nitrate Online

June 09, 2004

Von Stroheim's groundbreaking film is still intriguing.
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The Spectator
Resource

May 08, 2018

On behalf of the minority of film-goers who will, however even they may be shocked by [Erich von Stroheim's] fierce realism, perceive that he has made here a masterpiece in quite a new manner, one feels inclined to thank him.
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Village Voice
Resource

June 17, 2008

Von Stroheim's rep, after a long dormancy, has been on the rise, and this is the best evidence of his work you'll get until someone finds those lost five hours in some Ukrainian subcellar.
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