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Hostel Part II
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Hostel Part II
CRITICS OF "Hostel Part II"
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ESplatter
Resource

July 03, 2008

This second film definitely shows Roth's absolute courage as a director. He didn't pull any punches with this follow up.
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Minneapolis Star Tribune

June 09, 2007

Hostel: Part II offers more hard-core horror and an even more outspoken message [than the first].
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Chicago Reader
Resource

October 23, 2007

Roth's dark humor and lacerating view of human weakness sometimes suggest George Romero; what he lacks is Romero's stubborn belief in personal morality.
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Common Sense Media

December 15, 2010

Gory torture bloodbath checks in for another stay.
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Entertainment Weekly
Resource

June 13, 2007

Eli Roth's Hostel: Part II is an authentic real-world creep show -- better, if anything, than its predecessor.
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Georgia Straight
Resource

July 07, 2010

There are some grisly deaths gore hounds would approve of, but the focus is more on the motives of the murderous pervs and the inner workings of the snuff corporation.
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AV Club

June 09, 2007

There's a keen intelligence behind all that gleeful degradation and it pays off in a finish that's at once ironic, satirical, and perversely satisfying.
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CinePassion
Resource

August 27, 2009

Poseur callousness all the way
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San Francisco Chronicle
Resource

June 12, 2007

The movie is almost totally devoid of suspense, which is one of the marks of a true exploitation film. Why waste time with a bunch of false scares and tension, when you can go straight to the pain and suffering?
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Screen International
Resource

July 23, 2008

Filmmaker Eli Roth tries to enliven the formula, but this sequel loses the grim surprise of the original without adding much new in terms of plotting or gory set pieces.
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TheHorrorShow
Resource

August 28, 2015

A tight-fisted slow burn that whacks you in face with two or three really horrifying sequences.
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Time Out
Resource

June 16, 2007

Both nubile females and alpha-male douche bags are on the receiving end of pain (that's supposed to nullify accusations of misogyny, is it?), but really, we're all the victims here.
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