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House of Usher
Description
The film starring Vincent Price, Mark Damon, Myrna Fahey is directed by Roger Corman. It is about Vincent Price who is the last male in the tragic Usher family. He always is obsessed by murder, crimes of his ancestors so he believes that the death of him and his sister can end everything.
The film starring Vincent Price, Mark Damon, Myrna Fahey is directed by Roger Corman. It is about Vincent Price who is the last male in the tragic Usher family. He always is obsessed by murder, crimes of his ancestors so he believes that the death of him and his sister can end everything.
Keywords:
#Alta Vista Productions #House of Usher #Mark Damon #Myrna Fahey #Roger Corman #Vincent Price
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October 14, 2014
Vincent Price starts his scary-reign in colourful gothic horror style.
August 18, 2008
It's not precisely the Edgar Allan Poe short story that emerges in House of Usher, but it's a reasonably diverting and handsomely mounted variation.
October 08, 2011
Weird and a touch silly, but despite being a B-picture made by a B-studio, neither Roger Corman nor Richard Matheson treat the film as a disposable drive-in time-waster.
February 09, 2006
The sickly decadence and claustrophobia of the Usher household is admirably evoked by Floyd Crosby's 'Scope photography and Daniel Haller's art direction.
February 13, 2010
A classical vessel for Roger Corman's modernist anxiety
October 06, 2013
Lavishly produced and visually gorgeous (thanks to the atmospheric photography of Floyd Crosby), Corman's gothic creepfest is still scary after all these years.
September 25, 2007
A superlative Corman/AIP effort and a great beginning to a varying but always interesting series of horror films.
New York Times
May 10, 2005
Under the low-budget circumstances, Vincent Price and Myrna Fahey should not be blamed for portraying the decadent Ushers with arch affectation, nor Mark Damon held to account.
October 06, 2013
The film is riddled with strangeness and decay, which more than compensate for its clunky moments.
September 25, 2007
Corman's filmmaking runs on unchanneled energy and apocalyptic emotions; his is an art without craft.
