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Koyaanisqatsi
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Koyaanisqatsi

Description
Far from the noise of man and his industry, the world looks beautiful by its beautiful nature. The world must appear without prejudice in the form of rivers, oceans and mountains away from human intervention because the man-made world is less attractive.
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Koyaanisqatsi
CRITICS OF "Koyaanisqatsi"
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Your Movies (cleveland.com)

October 27, 2003

Jaw dropping photography. A unique experience.
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Movie Boeuf
Resource

August 22, 2017

"Well now, that music was *very* foreboding; it made a shiver go right down my spine."
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Old School Reviews
Resource

October 06, 2002

gets its point across through Phillip Glass' hypnotic and evocative score, cinematographer Ron Fricke's creative and provocative juxtapositions, and mystical forces
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Low IQ Canadian

July 05, 2004

Relentlessly concerned with the surface reality of human life, Koyaanisqatsi completely misses the inner beauties and dignities of man-made civilization.
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eFilmCritic.com

October 06, 2002

Odd, hypnotic, and frequently quite beautiful.
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Kalamazoo Gazette

May 21, 2003

Unique and fascinating; great Philip Glass score
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Movie Habit
Resource

September 20, 2001

What makes this film great is its structure, the fact that photography, editing and music alone can combine to form an epic, 90-minute composition that coheres.
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Cinematic Reflections

December 22, 2003

'A magnificent, eye-opening experience'
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Flipside Movie Emporium

January 14, 2003

I guarantee you've never seen anything quite like it.
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DVDJournal.com
Resource

April 06, 2006

Whether or not the movie exposes a world that is manifestly out of balance, Reggio and Glass's liturgy is that rarest of art forms: an avant-garde work with purpose and substance that also succeeds as entertainment.
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