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Revanche
CRITICS OF "Revanche"
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Shadows on the Wall
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May 06, 2010

More character study than thriller (the title means "revenge"), this slow-burning Austrian film effectively holds our interest with its unpredictable plot, even though it's not easy to care where it's going.
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Chicago Reader
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August 07, 2009

Writer-director Gotz Spielmann (Antares) avoids the clutter and manipulation of most thrillers, escalating tension almost solely through the characters' turbulent emotions.
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Globe and Mail
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January 22, 2010

A surprisingly unruffled tale of love, thievery, murder and revenge.
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Ozus' World Movie Reviews
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June 18, 2012

Impressive noir film that befits Greek tragedy as it travels deep into sublime territory.
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Philadelphia Inquirer
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November 05, 2009

There's real biblical tragedy, and redemption, in Spielmann's fine, sad, suspenseful film.
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EmanuelLevy.Com
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June 15, 2011

Austria's nominee for the Best Foreign Language Oscar is a precise and effective psychological thriler
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Chicago Sun-Times
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August 06, 2009

Revanche involves a rare coming together of a male's criminal nature and a female's deep needs, entwined with a first-rate thriller.
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Eye for Film
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July 13, 2010

Here justice moves slowly, and in mysterious ways - and Spielmann's final reckoning of accounts, though unexpected, is subtly satisfying.
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Chicago Tribune

August 14, 2009

A film of carefully strained pulp and rigorously controlled intrigue, the Austrian revenge drama Revanche, which is really about the dividing line between vengeance and forgiveness, belongs to a neo-noir universe where all the classical genre laws apply.
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London Evening Standard

May 06, 2010

Gotz Speilmann's film is well-made, aptly characterised and seems frighteningly true to life.
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Film Comment Magazine
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July 01, 2013

"It works because Spielmann has established that we're not watching belabored dramatic trajectories collide, but an encounter between two people in miles-away mindsets."
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Toronto Star
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January 22, 2010

The plot might have yielded a generic erotic thriller if Revanche were made by rougher hands. Instead it becomes something more sophisticated thanks to the efforts of writer-director Götz Spielmann and a superb cast.
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