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Shall We Dance
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Shall We Dance

Description
In a dramatic story about a man named John Clark, a real estate lawyer in Chicago. John loves his wife Beverly, but the busy Beverly life seems to have made John feel wrong to choose his wife. One day, John was riding the train back home. He noticed a beautiful young contemplative girl, often coming out of a studio window of Miss Mitzi for dance dancing. This girl, called Paulina, is one of the former world class dancers and dancer. It seems that John fell in love with that girl and therefore begins to learn mass dance lessons.
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Shall We Dance
CRITICS OF "Shall We Dance"
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Empire Magazine
Resource

December 30, 2006

It's rather cute, but only the truly girly will fall for the decidedly Officer And A Gentlemanly denouement that injects a belated sexy note.
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Washington Post
Resource

October 15, 2004

Takes a small, exquisite Japanese movie and turns it into a big, stupid American movie. Still, it must be said that as glossy and overproduced as the thing is, it's a good Big Stupid American movie.
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Time Out
Resource

June 24, 2006

Offers attractive, inoffensive characters and a smattering of broad laughs, but it fails to use its potential to explore weightier themes such as John's mid-life crisis.
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TheMovieReport.com
Resource

December 29, 2008

Touches to make 'hip' what should be an unabashedly square story--such as the casting of Nick Cannon in a supporting role and an out-of-nowhere cameo by Ja Rule--more jar than gel.
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Salon.com
Resource

October 19, 2004

There are so many appealing performers in Shall We Dance? that it's a crime the director, Peter Chelsom, and the screenwriter, Audrey Wells, haven't given them more to do.
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Urban Cinefile
Resource

October 18, 2008

This excellent and acclaimed cast is shoved into a film whose screenplay should have alerted them that it's not ready to go before the cameras.
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USA Today
Resource

October 15, 2004

Turns a sweet, lilting story into a clunky, clichéd and tedious movie sitcom.
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Movie Habit
Resource

October 18, 2008

Inevitably this film will be compared to its predecessor, and it simply can't win.
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Washington Post
Resource

October 15, 2004

Occasionally charming but ultimately forgettable bit of fox-trot fluff.
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Laramie Movie Scope
Resource

September 04, 2007

Not as good as the original, but enjoyable nonetheless.
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Common Sense Media

December 28, 2010

Cute romance that is marred by homophobia.
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New York Observer
Resource

October 21, 2004

Under the clunky direction of Peter Chelsom, while forced to mouth inane dialogue by Audrey Wells ... a swell bunch of troupers get mangled in a monsoon of clichés.
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