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Star Trek 3: The Search For Spock
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Star Trek 3: The Search For Spock

Description
This film tells the story of Admiral Kirk and his crew, who have a strong mission to steal the institution that has stopped its activity to return and recover Spock's body. It was necessary to find the body of Spock and return the flesh and soul to Vulcan. The team discovers an astounding thing when the spirit of Spock is in the mind of long Faulkian colleague, Pons.
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DIRECTORS OF "Star Trek 3: The Search For Spock"
Star Trek 3: The Search For Spock
CRITICS OF "Star Trek 3: The Search For Spock"
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Derek Adams
Resource

February 09, 2006

Decent SFX, but a little more action wouldn't have gone amiss.
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Kevin Thomas
Resource

September 07, 2016

"Star Trek III" has a genuine spirituality, and, at its end, you may be surprised, especially if you're not really a Trekkie, to realize how moved you've been.
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Tim Brayton
Resource

May 22, 2013

Almost certainly the best of the "bad" Star Trek films... and for the first 30 or 40 minutes, it's not really even bad, to speak of.
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Variety Staff
Resource

March 26, 2009

An emotionally satisfying science fiction adventure.
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Charles Cassady

December 15, 2010

Stirring but sad science-fiction enterprise.
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Roger Ebert
Resource

October 23, 2004

This is a good but not great Star Trek movie, a sort of compromise between the first two.
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Josh Larsen

March 25, 2009

...a somber, mournful installment of the Star Trek franchise. And when the defining trait of your series is dullness, this isn't exactly the best strategy.
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Dave Kehr
Resource

June 04, 2007

This 1984 film's few and unimpressive special effects evidently qualify it as science fiction, but the genre it really belongs to is the male weepie: there hasn't been a gooier buddy romance on the screen since Joe Buck took Ratso Rizzo to Miami.
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Stefan Birgir Stefansson

July 05, 2008

christopher lloyd!
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Rob Vaux
Resource

June 02, 2014

Not many Trekkies would list The Search for Spock as their first viewing choice, but it rarely lets you down.
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Richard Schickel
Resource

May 03, 2009

These are classic directorial occasions, and Nimoy rises to them with fervor, in effect beaming his film up onto a higher pictorial plane than either of its predecessors.
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