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The Godfather: Part III
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The Godfather: Part III
CRITICS OF "The Godfather: Part III"
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Movie Metropolis
Resource

September 17, 2008

...didn't live up to expectations but turned out to be a pretty good movie in any case.
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Time Out
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June 24, 2006

The acting is merely passable, several characters are given nothing to do, and Michael's paranoid self-pity lends the film an absurd morality: Coppola expects us to sympathise with the semblance of virtue.
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TIME Magazine
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March 28, 2011

The film is a slow fuse with a big bang -- one that echoes through every family whose own tragedy is an aching for things past and loved ones lost.
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EmanuelLevy.Com
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March 09, 2011

The third (and final) chapter of Coppola's epic crima saga is the weakest in terms of narrative and acting, but it still has artistic merits.
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Variety
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December 12, 2007

The Godfather Part III matches its predecessors in narrative intensity, epic scope, socio-political analysis, physical beauty and deep feeling for its characters and milieu.
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Common Sense Media

January 01, 2011

The third and final Godfather saga; not for kids.
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New York Times

May 20, 2003

Most film sequels are strictly optional. The Godfather Part III is inevitable, and as such it's irresistible.
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7M Pictures
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October 08, 2008

This hits have gotten bigger, and the violence has gotten bloodier. It's less of an examination of family and more of a character piece for Michael.
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Chicago Reader
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December 12, 2007

Represents a certain moral improvement over its predecessors by refusing to celebrate and condemn violence and duplicity in the same breath, or at least to the same degree.
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Movie Views
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October 06, 2008

While it's better than your average film in a lot of respects, it simply cannot hold up to the legacy of its predecessors.
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The Dissolve
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May 12, 2014

[...] a crushing disappointment. It's a sluggish movie with nothing to say about the moral rot of the powerful that the first two parts didn't say much better [...]
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Entertainment Weekly
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December 12, 2007

The movie, a heady thicket of political intrigue and double crosses, is slower, talkier, and more prosaic than the first two films, and its narrative seams sometimes show. And yet it's more than the sum of its mazelike convolutions.
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