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The Score
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The Score

Description
There is a big robbery being planned by an expert thief named Max. Max begins his planning by inviting his friend, Nick Wells, an old thief who has decided to retire from crime and live a quiet life. Max returns to cut Nick's retirement plan from crime and stability with his fiancée Diane to plan the most dangerous operation of their lives. Nick decided to join his forces to Max, where he violated his most important rules and that is to work alone, where Nick changes the decision to stop the crime, although he has grown old, but it seems that the process will bring him back to life again.
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The Score
CRITICS OF "The Score"
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Cinema Sight

January 29, 2003

A heist film with several issues, but ultimately enjoyable.
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Toronto Star

July 13, 2001

A movie which gets the job done as simply, efficiently and intelligently as possible.
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New York Observer
Resource

July 20, 2001

Manages to waste a prestigious cast on a tediously long-winded caper plot.
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eFilmCritic.com
Resource

August 18, 2007

The Score, a competent if nothing-special heist thriller on paper, showcases three generations of acting giants.
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Globe and Mail
Resource

July 16, 2001

Contains The Scene, a precious sequence already destined for infinite repetition.
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EmanuelLevy.Com
Resource

December 02, 2006

Three of the most accomplished actors of their respective generations, Brando, De Niro, and Edward Norton, are underused in this old-fashioned heist crime picture.
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Slate

July 13, 2001

A droning, high-toned little heist picture with no dash and no raison d'être.
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Looking Closer

January 15, 2005

The story is so dull and perfunctory, the audience just enjoys watching the actors...
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Entertainment Weekly
Resource

July 16, 2001

A sturdily diverting old fashioned heist thriller.
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RTÉ (Ireland)
Resource

August 18, 2003

While you'll telegraph its plot twist ten minutes before it actually happens, you'll be too wrapped up in the performances to care.
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Old School Reviews
Resource

January 30, 2011

Part of the fun is watching and listening to Brando parody his slurred speech
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Variety

July 18, 2001

Restoring the seductive style of the no-nonsense procedural heist movie to complete luster, this is the kind of pic that knows the difference between being masculine and being macho.
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